I've had these boxes for a while now, working on them bit by bit in between other things. The shallowness made me want to set them up differently than the deeper ones, and so I tried first setting them up on the ground, like dominos, but then they weren't very stable, and in fact when one tipped over they all fell down (kind of funny when you aren't expecting it, the wind from the fan caught one). I like how they are set up now, because you can see them all from the sides and they are more like solid blocks, but then each one can be turned so you can see the front of it too. They sort of sway a bit too, never perfectly stable.


At first I only used the thumbtacks to test it out, and was going to switch to nails, but then I found that they sort of fit in, with smatters of paint from previous work, and add little touches of color.


I realized that it's become almost book-like - I haven't made any small books for a while, and had been wanting to go back to them. Part of why I like books, especially small ones, is that they are more private - one viewer at a time, and it's only those who want to take the time to stop and open it up (very different from oversized work, where it grabs your attention, forces you to respond one way or other). In a different way, by in bringing the viewer up close, the small book or other tiny object can end up becoming a whole world to enter into, and your attention is taken up as much as with a very large piece, but in a more personal way.



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 This summer I had a client asking for a diptych for her 2 little girls, and a gallery that was telling me that their clients were finding that my work was too dark, that they liked the brighter colours. So I started on these small ones in acrylic, where I was trying to keep things simpler - colours fairly pure and with a lot of white. I noticed the contrast between these small guys and the ones on the other wall on the shelf, which had gotten much darker.
It was helpful to have this section set up, because when I was working on something else, I'd place it alongside of these ones and then it was easier to tell if it was getting dark or muddy. Otherwise it's sometimes hard to tell that your work is getting so dark, until you have something really bright to contrast it with.


 I liked having them on the wall as puzzle pieces, and it didn't feel as though they needed to be as "finished" either.



 little ones 3x4", squares mostly 6x6"

I was struggling to keep the colours of the top left one pure,
from a distance it didn't read the same way as the others.


 acrylic and chalk pastel


 acrylic and pencil


chalk pastel and pencil


 acrylic and pencil


 acrylic and pencil


 acrylic


 acrylic, pencil, chalk pastel, collaged grid paper
(I found this one interesting sideways too )



 black but not dark, bright, because of the contrast
I found that the wall as a whole needed some black
I liked that I didn't play too much into this one


8x8", oil/acrylic/pencil
These last two are with oils, and while they're brighter, not as much as the acrylic ones (in real life, I guess more subtleties of tones, but on computer screen maybe hard to see)


10x10", oil on panel


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